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accessibility_movie_2
Commit cb9afe6d authored by smile2019's avatar smile2019
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{"video_path": null, "excel_path": null, "detection_info": {"detected": false, "nd_process": 0.0, "last_time": 0.0, "caption_boundings": [], "has_subtitle": true}, "speaker_info": {"speaker_id": "\u6653\u6653\uff0c\u5973\uff0c\u5e74\u8f7b\u4eba", "speaker_speed": "1.10(4.5\u5b57/\u79d2)"}}
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product_test/test1/conf.ini deleted 100644 → 0
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{"video_path": "C:/Users/Smile/Desktop/1203901881-1-192.mp4", "excel_path": "C:/Users/Smile/Desktop/accessibility-movie/accessibility_movie_2/product_test/test1\\1203901881-1-192.xlsx", "detection_info": {"detected": true, "nd_process": 1, "last_time": 849.933, "caption_boundings": [631, 673], "has_subtitle": true}, "speaker_info": {"speaker_id": "\u6653\u6653\uff0c\u5973\uff0c\u5e74\u8f7b\u4eba", "speaker_speed": "1.10(4.5\u5b57/\u79d2)"}}
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product_test/test1/output/1203901881-1-192.srt deleted 100644 → 0
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无奈朝来寒雨晚来风
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胭脂泪留人醉几时重
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自是人生长恨水长东
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我认为这是在李后主词中间
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写的最好的一首词
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00:00:40,732 --> 00:00:42,133
为什么这样说
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且听我慢慢道来
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王国维说词到了李后主
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眼界始大感概遂深
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00:00:54,267 --> 00:00:57,299
说到了他眼界就开始扩大了
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词的境界也大起来了
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他说词就写的感慨
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很非常的深沉
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我沿着这个评价
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我来和大家讲一讲
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为什么说这首诗写得最好
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比
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春花秋月何时了
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问君能有几多愁
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恰似一江春水向东流
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写得还好
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这首词他写的什么东西呢
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他看到了落花的 番感概
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春天的花谢了
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很正常对吧
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比方说我讲两首
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首白居易的 《大林寺桃花》
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他也是写
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山下到处花的调零
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他说
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人间四月芳菲尽
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山寺桃花始盛开
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长恨春归无觅处
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不知转入此中来
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这是他在贬到九江的时候写的
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他去玩庐山
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他在上山之前呢
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整个春已经走了
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到4月份春都走了已经初夏
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所以说人间四月芳菲尽
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所有的花都零
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他一到庐山去我的天呐
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桃花刚刚才开
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山寺桃花始盛开
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由于庐山山高寒冷
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所以春天来的晚一些
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山寺桃花始盛开
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长恨春归无觅处
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我不知道春天你跑到哪个鬼地方去了
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哇
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到了庐山才知道
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不知转入此中来
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原来春天狗东西你跑到这来了
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这首诗写的比较欢快
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它主要写的巧妙
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构思的特别巧
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好我再讲一首苏东坡的
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东栏梨花
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白居易是桃花
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苏东坡是东栏梨花
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东栏是个地名
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他说
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梨花淡白柳深青
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柳絮飞时花满城
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调帐东栏一株雪
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人生看得几清明
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他从东栏看到了梨花
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梨花是雪白的对吧
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他说梨花淡白柳深青
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那个柳叶又深又青
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柳絮飘石花满城
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到处是春光明媚
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调帐东栏一株雪
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为什么说是 株雪呢
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由于梨花一开了以后
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那一株梨花全是雪白的
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人生看得几清明
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人的一生过得几个清明呢
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我们苏东坡是感概人生短暂
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般的我们这词人的感概啊
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看到花开花谢
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就想到生命的调零
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生命的短暂
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这是个常例
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我们为件么说李煜这首词写的好
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他感概的不是生命的短暂
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你看他写的什么名堂
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他说
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林花谢了春红
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起笔就感概的很深沉
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林花那是什么花呢
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不知道
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它不像白居易说是桃花
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也不像我们的苏东坡说是梨花
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它什么花都不是
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就是林花
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那是树林里什么时候的花呢
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到最后才知道春红
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是春天的红花
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林花谢了春红
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没有了
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他是有很深的感概
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春天一眼就走了
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所以才有了第二句太勿
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注意他不是说哪一种花
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他有极大的概括性和包容性
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林花谢了春红
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太匆
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实在是太快了
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春天的脚步迈得太快了
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我还来不及欣赏春天
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春天就走了
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太匆匆
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无限的感慨
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无限的遗
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要是这两包跟很多人都一样
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他没有什么特别的对吧
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也哪一句很重要
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无奈朝来寒雨晚来风
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他为什么这样写
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林花谢了春红
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如果按四季的更替
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从春夏秋冬
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那春花谢了也没有什么不得了的
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虽然有遗
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但不痛苦
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痛苦的是什么
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花被摧残
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所以他这句感概很深
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无奈朝来寒雨
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早晨来一场春天的寒雨
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那就算了吧
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晚来风寒雨把它打湿了
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摧残了
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风晚的风又把它吹落了
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是被自然界摧残的
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上阙完了
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大家注意
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朝来晚来是接着接着的
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这里有叠字
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两个“来”字
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好大家再看看
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下阙
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胭脂泪留人醉
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大家注意
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他转入了声押韵
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这两押的是暗韵
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杜甫有一首诗说
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林花著雨脂湿
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那个春天里树林的花
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经过了雨以后啊
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那个花上呢
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就显得特别的红
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胭脂泪本来是写女孩子的泪
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因为女孩子要涂胭脂
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那个泪一流下来了那个泪就是红的
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胭脂泪这里是写什么东西响
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这里是写花
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这个花特别的美丽
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而忧伤很动人
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所以说留人醉
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有个版本是相流醉
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胭脂泪留人醉
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几时重重新回到押韵
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无奈朝来寒雨晚来风
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重风大家注意
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几时重
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什么时候又重新看到春天
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重新看到脑脂色的美丽的花朵
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胭脂泪留人醉
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本来写的比较忧伤对吧
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几时重什么时候春再来呢
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最后一句说
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自是人生长恨水长东
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不仅是花不能重见
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人生遗的事情
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让我们痛苦
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让我们恨的东西实在是太多了
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这是人的宿命
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自是是自然是
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人生长恨
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我们人的一生有很多恨
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有很多痛苦有很多遗
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水长东就像长江水一直东流一样
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长江的水是长东
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我们人生是长恨
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大家注意
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这叫暗喻
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问君能有几多愁
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恰似一江春水向东流
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那叫明喻
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自是他不是说比喻
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不是像而是就是
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他说人生的长恨
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就是
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长江的水长东一样
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无可改变
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只有接受
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这是人的宿命
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人就是生下来就是恨的
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我和大家讲
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他这不是写生命的短暂
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而是写什么呀
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他是写我们人生更深层的东西
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人的一生就是有留下了无数的痛苦
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无数的恨
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无数的遗
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所以我们说 “死不膜目” 就是这个意思
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感概甚深
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他有很深很深的感概
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我现在60多岁了
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李煜死的时候40多岁
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我现在感觉到真的没有完美的人生
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很多家庭远看就是简直很完美
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近看
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家家都有本难念的经
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人人都有本难念的经
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00:10:18,932 --> 00:10:21,500
我前段看到这个张朝阳
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就是搜狐的老总
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接受采访说
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00:10:25,232 --> 00:10:26,866
他说我现在
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想买什么就买什么
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有钱了
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但我带来的痛苦恨更多了
225
00:10:34,567 --> 00:10:35,500
为什么
226
00:10:35,732 --> 00:10:37,366
个人爬的越高
227
00:10:37,600 --> 00:10:39,932
他追求的目标就不一样了
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00:10:40,167 --> 00:10:42,267
这就像叔本华说的
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00:10:42,267 --> 00:10:45,299
我们随着社会的条件的变化
230
00:10:45,299 --> 00:10:47,167
他有不断的欲望
231
00:10:48,100 --> 00:10:50,432
我们总是说知足常乐
232
00:10:50,667 --> 00:10:53,466
个人要真的知足常乐没有欲望了
233
00:10:53,700 --> 00:10:55,100
那个社会就不能进步
234
00:10:55,100 --> 00:10:57,200
人也不能进步了对不对
235
00:10:57,432 --> 00:11:00,932
李煜他说人生长恨
236
00:11:00,932 --> 00:11:03,966
与他当了亡国奴有关
237
00:11:04,432 --> 00:11:08,167
他如果没有当亡国奴这个人生经历
238
00:11:08,633 --> 00:11:11,899
他年轻的时候一直长在深宫
239
00:11:11,899 --> 00:11:13,767
自然就当着皇上
240
00:11:13,767 --> 00:11:16,567
他肯定体验不到人生长恨
241
00:11:17,267 --> 00:11:18,899
那么这首词
242
00:11:19,133 --> 00:11:23,332
他是生命的眼泪的珍珠
243
00:11:24,033 --> 00:11:27,533
眼界始大感概遂深
244
00:11:27,533 --> 00:11:29,633
这首词我和大家讲
245
00:11:29,633 --> 00:11:32,200
也在艺术水平上也特别高
246
00:11:33,133 --> 00:11:34,767
李煜他所有的词
247
00:11:34,767 --> 00:11:38,267
无论前期的还是后期的就是脱口而出
248
00:11:38,500 --> 00:11:39,899
写得自然动人
249
00:11:39,899 --> 00:11:45,267
他一种极自然极典雅极其美丽语言
250
00:11:45,267 --> 00:11:48,067
你看林花谢了春红
251
00:11:49,000 --> 00:11:52,033
自是人生长恨水长东
252
00:11:52,033 --> 00:11:55,067
无奈朝来寒雨晚来风
253
00:11:55,067 --> 00:11:56,232
我和大家讲
254
00:11:56,232 --> 00:11:57,633
它完全像口语
255
00:11:57,866 --> 00:11:59,966
但又是典型的文学语言
256
00:12:01,366 --> 00:12:03,932
李煜这个家伙的才华太高
257
00:12:04,167 --> 00:12:06,966
比如说他这首词最后一包
258
00:12:07,200 --> 00:12:08,366
他是用暗喻
259
00:12:08,832 --> 00:12:12,799
暗喻在艺术上我认为是高于明喻的
260
00:12:12,799 --> 00:12:14,432
由于明喻是明着说
261
00:12:15,133 --> 00:12:16,767
问君能有几多愁
262
00:12:16,767 --> 00:12:19,567
恰似一江春水向东流
263
00:12:19,567 --> 00:12:20,966
你看他这一是
264
00:12:21,200 --> 00:12:23,533
留人醉几时重
265
00:12:23,533 --> 00:12:27,500
自是人生长恨水长东
266
00:12:27,732 --> 00:12:29,832
为什么说他写的最好呢
267
00:12:30,067 --> 00:12:32,167
他的家国他的感吗
268
00:12:32,167 --> 00:12:34,033
《虞美人》 他的家国他的感概吗
269
00:12:34,033 --> 00:12:35,667
都写在明面上
270
00:12:36,133 --> 00:12:37,767
它（《相见欢》）最后什么都没有
271
00:12:37,767 --> 00:12:39,633
它有更高的抽象性
272
00:12:40,100 --> 00:12:41,732
感概更加的深沉
273
00:12:42,432 --> 00:12:46,866
他通过自然的春光脚步的走去
274
00:12:47,567 --> 00:12:50,600
林花谢了春红来感概出
275
00:12:50,600 --> 00:12:54,332
得出人生长恨水长东
276
00:12:54,567 --> 00:12:56,432
他不是一种理论的深度
277
00:12:56,432 --> 00:12:58,299
而是一种对生命的
278
00:12:58,299 --> 00:13:00,633
对人生有一种体验的深度
279
00:13:01,332 --> 00:13:03,432
他的比也非常漂亮
280
00:13:04,133 --> 00:13:05,533
我们人生的长恨
281
00:13:05,767 --> 00:13:08,100
就像长江的水长东一样
282
00:13:08,567 --> 00:13:11,600
而且他用叠字也用的特别好
283
00:13:12,299 --> 00:13:14,866
上阙的结尾一个长句子
284
00:13:15,100 --> 00:13:19,299
无奈朝来寒雨晚来风
285
00:13:19,299 --> 00:13:21,633
朝来晚来
286
00:13:22,100 --> 00:13:24,432
下阙的结尾的一个长句子
287
00:13:25,366 --> 00:13:30,033
自是人生长恨水长东
288
00:13:30,033 --> 00:13:33,067
你看长恨长东
289
00:13:33,299 --> 00:13:35,167
朝来晚来
290
00:13:35,167 --> 00:13:36,799
他叠字用的特别好
291
00:13:36,799 --> 00:13:39,133
而且对偶也对的特别漂亮
292
00:13:39,600 --> 00:13:41,000
年轻的朋友们
293
00:13:41,466 --> 00:13:44,500
李煜的这几十首诗
294
00:13:44,732 --> 00:13:47,067
我认为首首都值得背
295
00:13:47,533 --> 00:13:50,799
尤其是我讲的前期的两首
296
00:13:50,799 --> 00:13:54,767
后期的这四首词至少都应该把它背熟
297
00:13:55,000 --> 00:13:56,633
实在是写的太好了
298
00:13:57,100 --> 00:13:59,200
好今天就讲到这里
299
00:13:59,200 --> 00:14:00,366
谢谢大家
300
00:14:00,600 --> 00:14:10,000
朋友们众里寻他千百度喜然回首点关注
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